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It's like tranny techno. Their first CD is one of my favorite CD's I own, and I also enjoy their second one, but this one sucks. They should get the bassist back
(I'll probably be trampled by a squadron of hostile ravers for that last comment : )I wouldn't normally write a review before listening to an album, but based on reading the other reviews and being very familiar with their other recordings, I am assuming that I will end up agreeing with most of the other reviewers that the first two albums are where it's at. On the flip side, it was Jessee Murphy's grooving, creative, daring, chops-heavy and tasteful lines that separated the band's music from most run-of-the-mill electronica projects, and made it sound more like a band then a guy with a sampler and a bunch of funky records. You'll see that he doesn't need any penta-lingual (is that a word)., sexy, trippy vocals--as fun as they are--to make a song super interesting.Nevertheless, I give it three stars in contrast to the five that I'd give the other two albums since I know these guys will still produce some fun stuff without the oh-so-tasty low end. I was super psyched to receive this disc in the mail, but when I looked at the cover, I noticed a member was missing from the prior two albums. I crossed my fingers, not wanting any of the members to leave, but to my dismay I discovered that it was the bassist who is missing from all but one song on this album.I can't say I was too surprised, for listening to the first two albums, it's clear the group could function without him. Also, if you are a rabid fan of Murphy's playing, check out what he does on John Scofield's Uberjam.
The weakest song, "Losing Myself," is probably the most like the prior records. Not this record. If only more bands lived up to the hype, or if only this band got more of it. I don't have much to say, but I want to rebalance the rating for this record with my 5 stars. I listen to so many hyped bands characterized as refreshing hybrids of international styles, only to be disappointed at the lack of creativity and, especially, good songs. Other than that one, the songs are fascinating, brilliantly and effectively all over the map.
It's infectious with killer hooks, you cannot but rock with this one."Don't Stop" from the previous "Brazillian Girls" album however is more representative of their style overall, and is where I like the modern Dance and Techno to head. (it even ends with a whistling rendition of the tune). The beat is driving, but it does not pound you into the floor. Good Time is one of my favorite feel good party anthem songs. Anyone for a sequel to "Don't worry be happy". Its an evolved Army of Lovers.
A few tracks work, but this mostly comes off as mish-mash of noodlings. Too loose, too everything-at-once. After a first record that hit all the right spots and a sophomore effort that did not, this third offering is somewhere between "alright" and "okay". It's more experimental, but not in all the right directions. Not as sure-footed.
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